Carlos
Castaneda:
was born in Peru on 25 December 1925 , with Sun and Jupiter in Capricorn, Moon and
Ascendant in Taurus (10.2.2), and Jupiter exactly conjunct to the Midheaven. For Castaneda's birth chart click here.
This is a most earthy and
solid astrological make-up, which explains Castaneda’s pragmatic attitude
towards shamanic work, his dislike for the term “spiritual”.
This astounding capacity is also
proved by the superlative success of his books (selling more than 8 millions
copies and translated in 17 languages) and tools.
Castaneda is one of the major champions in bridging the multidimensional and the ordinary reality, or, in Castaneda’s terms, nagual and tonal.
In his work he describes
one’s own initiatory training with a Yaqui shaman named Don Juan.
Castaneda kept himself out of
the public eye and it is not clear whether or not his books are documented fact
or entirely fiction.
For Castaneda, the primary goal is
the continuation of awareness after physical death, which requires discipline
and procedures representing the way of the Warrior.
His practices are aimed
at maximising personal power, avoiding waste of energy (impeccability) and
mastering awareness through the operative use of the assemblage point.
According to Castaneda
humans are glowing cocoons of awareness set in a universe described
euphemistically as all-pervading filaments of light. Such cocoons are
intersected throughout by these filaments, producing perception, but they
filter our perceptions by concentrating on only a small bundle.
The assemblage point is
the focusing lens which draws from the emanations and produces the human
separated reality. By shifting the assemblage point it is possible to perceive
other realities, which are no less real that ordinary daily life.
Typical of Carlos Castaneda's work is also the emphasis on the power of Intention.
This Intent has nothing to do with struggling to achieve objectives and desires
in the physical reality, as we humanly perceive it. Goals, purposes,
manifestation, or self-assertion, as they apply in everyday life, are merely
pale shadows of the Intent. This does not abide in our conditioned awareness of
the world and is entirely unrelated to our identification with the body, as we
see it.
The Intent is a pure energy wave flowing through the empty spaces left vacant
by our ordinary sensory perception. It is far beyond the world we purport to
know, existing in an unseen realm, which is completely alien to our cognition, and
yet paradoxically it is the matrix that produces every aspect of our life.
The unveiling of this Intent requires
an enormous investment of energy, an unattainable task as long as we keep using
energy to sustain our conditioned perception of reality. When all our energy
goes into supporting our separate identity, and its sense of self-importance,
there is no space for anything else.
Self-importance was regarded by Don Juan Matus as the
supreme enemy of the shaman and the nemesis of mankind. This is evident in the unceasing
concern for the way we present ourselves to the world, the focus on being liked
by people, the desire to be acknowledged, which also compels us to invest massive
energy in the acknowledgement of others, so that they can then acknowledge us.
Don Juan argued that if we were
capable of letting go of some of that preoccupation with self-acknowledgment, “two
extraordinary things would happen to us. One, we would free our energy from
trying to maintain the illusory idea of our grandeur; and, two, we would
provide ourselves with enough energy to enter into the second attention to
catch a glimpse of the actual grandeur of the universe.” (Carlos Castaneda, The Art of Dreaming, p.37).
One of Castaneda’s final
tools is Tensegrity, a series of meditative stretching and posing ttechniques.
These tools, together with most of Castaneda’s ideas and views have caused
major disputes and controversies.
Some quotes from Carlos Castaneda:
A man of knowledge lives by acting, not by thinking about acting.
A
path without a heart is never enjoyable. On the other hand, a path with heart
is easy— it does not make a warrior work at liking it; it makes for a joyful
journey; as long as a man follows it, he is one with it.
A
warrior acts as if he knows what he is doing, when in effect he knows nothing.
A
warrior considers himself already dead, so there is nothing to lose. The worst
has already happened to him, therefore he’s clear and calm; judging him by his
acts or by his words, one would never suspect that he has witnessed everything.
A
warrior doesn’t know remorse for anything he has done, because to isolate one’s
acts as being mean, or ugly, or evil is to place an unwarranted importance on
the self.
A
warrior is a hunter. He calculates everything. That’s control. Once his
calculations are over, he acts. He lets go. That’s abandon. A warrior is not a
leaf at the mercy of the wind. No one can push him; no one can make him do
things against himself or against his better judgment. A warrior is tuned to
survive, and he survives in the best of all possible fashions.
A
warrior must cultivate the feeling that he has everything needed for the
extravagant journey that is his life. What counts for a warrior is being alive.
Life in itself is sufficient, self-explanatory and complete. Therefore, one may
say without being presumptuous that the experience of experiences is being
alive.
A
warrior must learn to make every act count, since he is going to be here in
this world for only a short while, in fact, too short for witnessing all the
marvels of it.
A
warrior takes responsibility for his acts, for the most trivial of acts. An
average man acts out his thoughts, and never takes responsibility for what he
does.
A
warrior thinks of death when things become unclear. The idea of death is the
only thing that tempers our spirit.
An
average man is too concerned with liking people or with being liked himself. A
warrior likes, that’s all. He likes whatever or whomever he wants, for the hell
of it.
Anything
is one of a million paths. Therefore, a warrior must always keep in mind that a
path is only a path; if he feels that he should not follow it, he must not stay
with it under any conditions. His decision to keep on that path or to leave it
must be free of fear or ambition. He must look at every path closely and
deliberately. There is a question that a warrior has to ask: 'Does this path
have a heart?'
Personal
history must be constantly renewed by telling parents, relatives, and friends
everything one does. On the other hand, for the warrior who has no personal
history, no explanations are needed; nobody is angry or disillusioned with his
acts. And above all, no one pins him down with their thoughts and their
expectations.
The
basic difference between an ordinary man and a warrior is that a warrior takes
everything as a challenge, while an ordinary man takes everything as a blessing
or a curse.
The
most effective way to live is as a warrior. A warrior may worry and think
before making any decision, but once he makes it, he goes his way, free from
worries or thoughts; there will be a million other decisions still awaiting
him. That’s the warrior’s way.
Whenever
a warrior decides to do something, he must go all the way, but he must take
responsibility for what he does. No matter what he does, he must know first why
he is doing it, and then he must proceed with his actions without having doubts
or remorse about them.
An
immortal being has all the time in the world for doubts and bewilderment and
fears. A warrior, on the other hand, cannot…because he knows for a fact that
the totality of himself has but a little time on this earth.
(review by Franco Santoro)
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